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In both curatorial approaches, the album subverts the 18th century encyclopaedic spirit. On a second and perhaps deeper lever, it collects and sets into play many different senses of musical imperfection. The listener can contemplate some imperfections afforded by the flute, others by the cello, and so on.

encyclopaedia”, superposing two different curatorial approaches: on one hand, it creates an inventory of musical imperfections as embodied in each different instrument.

In short, things “that do not really work,” or are, in one way or another, imperfect. This collection focuses on elements of each instrument which, while idiomatic to them, cannot be fully predicted, controlled, or repeated, or are elsewise extremely risky and unreliable aspects which resist notation or deviate greatly from it in performance elements which directly oppose established tenets of classical performance practice and techniques.

encyclopaedia of Musical Imperfections presents a compendium of solo cycles composed by Márcio Steuernagel exploring musical imperfection.

Étude: non-/harmonic (uncontrolled, unknown, yet wished-for)*Ī Mis Étude: residual sounds (molto cantabile – ma segreto!)* Étude: residual pitches (emerging chorale & tempi)*

– three études, a pilgrimage and a prayer for solo cello Meditation: impossible vowels (a self-sung lullaby)Īlways only once again (2021/2022) | Stefanie Prenn, cello Meditation: lowest, then lower (sequentia)* Meditation: vibrato, trillo, coloratura (terribilis iubilatio) Meditation: più lento possible (impossibly slow)* On the unspeakable NAME of (2021/2022) | Kaoko Amano, voice Étude: diaphonic/multiphonic (…but how many voices unsung?) Étude: over/under-blowing (bodily: a pífano dance) Étude: different articulations (molto parlante) Étude: whistle tones (a fugue of failures) Étude: trills (it shimmers, shivers: lives) – six études and three melodies for solo flute The Great in-Betweenness (2020) | Eric Lamb, flute Étude: classical harmonics technique (a broken lullaby)*1 Étude: harmonic interference (a game of bells) Études para Quijote (2019) | Veronica Klavzar, harp Étude: multiphonics (quasi un corale, quasi Monteverdi) Márcio Steuernagel, conductor and composer #MUSIC Platypus Ensemble & Márcio Steuernagel

encyclopaedia of Musical Imperfections.

Of functionality in a clear and comprehensible manner.Previous | Foyer | Next A Mis The REAKTOR 6 documentation adapts this approach, guiding you through the different levels Level by level, making yourself familiar with its deep functionality one step at a time. Is optimized to facilitate all of these use cases. Based on a hierarchical structure with a coherent interface, REAKTOR Its extensive Library or creating custom DSP algorithms, REAKTOR suits musicians, builders,Īnd programmers alike. REAKTOR Racks facilitate analog-style modular patching with Blocks-the perfect introduction to using modules and wires to create your own instruments.įrom playing and combining pre-built instruments and effects to building your own tools with The included content allows you to lookīehind the curtain and explore the state-of-the-art technology at the core of many of our products. Known for its unrivalled sound quality, REAKTOR is the complete toolkit for creating instruments and effects with high-quality DSP components.

#Reaktor lib software

REAKTOR 6 builds on a long history of legendary software including NI’s first product, GENERATOR. Its many uses include music creation, digital art, instrument and effects building, as well as scientific applications. REAKTOR is a visual programming environment based on modules and wires, allowing you toĬreate any musical tool imaginable. 37Įditing Ensembles and Automatic Saving. SHENZHEN NATIVE INSTRUMENTS COMPANY Limitedġ11 Taizi Road, Nanshan District, Shenzhen, Guangdong In the United States and/or other countries.Īll other trade marks are the property of their respective owners and use of them does not imply any affiliation with or endorsement by them.ĭocument authored by: Adam Hanley, Jan Ola Korte

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#Reaktor lib license

The software described by this document is subject to a License Agreement and may not be copied to other media. The information in this document is subject to change without notice and does not represent aĬommitment on the part of Native Instruments GmbH.