
In both curatorial approaches, the album subverts the 18th century encyclopaedic spirit. On a second and perhaps deeper lever, it collects and sets into play many different senses of musical imperfection. The listener can contemplate some imperfections afforded by the flute, others by the cello, and so on.


– three études, a pilgrimage and a prayer for solo cello Meditation: impossible vowels (a self-sung lullaby)Īlways only once again (2021/2022) | Stefanie Prenn, cello Meditation: lowest, then lower (sequentia)* Meditation: vibrato, trillo, coloratura (terribilis iubilatio) Meditation: più lento possible (impossibly slow)* On the unspeakable NAME of (2021/2022) | Kaoko Amano, voice Étude: diaphonic/multiphonic (…but how many voices unsung?) Étude: over/under-blowing (bodily: a pífano dance) Étude: different articulations (molto parlante) Étude: whistle tones (a fugue of failures) Étude: trills (it shimmers, shivers: lives) – six études and three melodies for solo flute The Great in-Betweenness (2020) | Eric Lamb, flute Étude: classical harmonics technique (a broken lullaby)*1 Étude: harmonic interference (a game of bells) Études para Quijote (2019) | Veronica Klavzar, harp Étude: multiphonics (quasi un corale, quasi Monteverdi) Márcio Steuernagel, conductor and composer #MUSIC Platypus Ensemble & Márcio Steuernagel
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